NCERT Solutions for Class 12 English Flamingo Chapter 2 - Lost Spring
Clear and simple question answers to help you ace your exams
Table of Contents
Lost Spring Textbook Words and Meanings
Question:
Understand these phrases from the text based on their context:
(i) looking for
(ii) slog their daylight hours
(iii) roof over his head
(iv) imposed the baggage on the child
(v) perpetual state of poverty
(vi) dark hutments
Answer:
(i) looking for: searching for something, like money or valuables.
(ii) slog their daylight hours: working hard all day in tough conditions, like near hot furnaces.
(iii) roof over his head: having a place to live, even if it's basic.
(iv) imposed the baggage on the child: putting heavy responsibilities or burdens on a young child.
(v) perpetual state of poverty: being poor all the time, with no escape.
(vi) dark hutments: small, dark, and cramped huts where people live.
Lost Spring Think as You Read (Page 17)
Question 1.
What is Saheb looking for in the garbage dumps? Where is he, and where has he come from?
Answer:
Saheb searches for valuable items, like money or things he can sell, in the garbage dumps. He lives in Seemapuri, a slum near Delhi, and he came from Bangladesh.
Question 2.
What explanations does the author offer for the children not wearing footwear?
Answer:
The author says some claim it's a tradition for kids to go barefoot, but she thinks this is just an excuse to hide their poverty, as they can't afford shoes.
Question 3.
Is Saheb happy working at the tea stall? Explain.
Answer:
Saheb isn't happy at the tea stall. Even though he earns money, he's lost his freedom. He used to roam freely as a ragpicker, but now he feels tied down and misses his carefree life.
Lost Spring Think as You Read (Page 20)
Question 1.
What makes the city of Firozabad famous?
Answer:
Firozabad is famous for its glass bangles. Many families there make bangles for a living.
Question 2.
Mention the hazards of working in the glass bangle industry.
Answer:
Working in bangle factories is risky. People, including kids, work near hot furnaces in dark, stuffy rooms with no fresh air. This hurts their lungs and health, and many lose their eyesight over time.
Question 3.
How is Mukesh's attitude to his situation different from that of his family?
Answer:
Mukesh wants to be a motor mechanic, dreaming of a different life. His family accepts bangle-making as their fate, having done it for generations, and doesn't think of changing.
Lost Spring Understanding the Text
Question 1.
What could be some of the reasons for the migration of people from villages to cities?
Answer:
People move from villages to cities to find work. Villages often lack enough jobs, and farmland isn't enough for big families. Natural disasters like floods can destroy crops and homes, pushing people to cities. Some are drawn by city facilities like schools or hospitals. Others find jobs like driving rickshaws, working in dairies, or doing construction to earn more money.
Question 2.
Would you agree that promises made to poor children are rarely kept? Why do you think this happens in the incidents narrated in the text?
Answer:
Yes, promises to poor kids are often broken. In the story, the author jokingly promises Saheb a school, but it never happens. Poor kids take such promises seriously, but adults make them lightly or can't follow through due to lack of money or effort. Government promises, like better living conditions, also fail due to little sincerity or resources, leaving kids like Saheb in poverty.
Question 3.
What forces conspire to keep the workers in the bangle industry of Firozabad in poverty?
Answer:
Bangle workers in Firozabad stay poor because middlemen take most of their profits. Moneylenders, police, officials, and politicians trap them in debt and fear. They can't organize to fight back. Their work is hard, but they earn little, living in cramped, dirty areas. Many kids work instead of studying, so the cycle of poverty continues from one generation to another.
Lost Spring Talking About the Text
Question 1.
How, in your opinion, can Mukesh realise his dream?
Answer:
Mukesh dreams of being a motor mechanic, unlike his family, who make bangles. He can achieve this with his strong will. Though his family may resist, he can convince them that being a mechanic is healthier and pays better. He could find a garage to train in, save money, and slowly build his skills. His determination to break free from bangle-making will help him succeed.
Question 2.
Mention the hazards of working in the glass bangles industry.
Answer:
Working in bangle factories is dangerous. Workers, including kids, spend long hours in hot, dark rooms with no air, breathing in harmful glass particles. This damages their lungs and eyes, often causing blindness. The tough conditions also tire them out, stealing their energy and childhood.
Question 3.
Why should child labour be eliminated, and how?
Answer:
Child labour is wrong because it steals kids' childhood and education. Kids should be in school, not working in dangerous places like bangle factories. To stop it, laws banning child labour must be enforced strictly. People need to understand it's harmful. Free schools, scholarships, and food can help poor families so kids don't have to work. Ending poverty is key to stopping child labour.
Lost Spring Thinking About Language
Question 1.
The text uses poetic language to describe real-life misery. Identify the literary device in each example below:
- Saheb-e-Alam, which means the lord of the universe, is directly in contrast to what Saheb is in reality.
- Drowned in an air of desolation.
- Seemapuri, a place on the periphery of Delhi yet miles away from it, metaphorically.
- For the children it is wrapped in wonder; for the elders it is a means of survival.
- As her hands move mechanically like the tongs of a machine, I wonder if she knows the sanctity of the bangles she helps make.
- She still has bangles on her wrist, but no light in her eyes.
- Few airplanes fly over Firozabad.
- Web of poverty.
- Scrounging for gold.
- Survival in Seemapuri means rag-picking. Through the years, it has acquired the proportions of a fine art.
- The steel canister seems heavier than the plastic bag he would carry so lightly over his shoulders.
Answer:
- Contrast: Saheb's name means "lord," but he's a poor ragpicker.
- Metaphor: "Drowned" suggests being overwhelmed by sadness.
- Contrast: Seemapuri is near Delhi but feels far due to its poverty.
- Contrast: Kids find garbage exciting; adults see it as survival.
- Simile: Her hands are compared to machine tongs using "like."
- Contrast/Metaphor: Bangles suggest joy, but her eyes show no hope.
- Contrast: Firozabad is isolated, unlike cities with frequent flights.
- Metaphor: Poverty is compared to a web that traps people.
- Hyperbole: Exaggerates rag-picking as searching for "gold."
- Hyperbole: Calls rag-picking a "fine art" to emphasize its importance.
- Contrast: The canister feels heavier than the light plastic bag.
Lost Spring Things to Do
Question 1.
The beauty of Firozabad's glass bangles contrasts with the misery of the workers. Find similar paradoxes, like gold miners or construction workers, and write a 200-250 word paragraph on one. Start with notes.
Example: "You never see the poor in this town. By day they toil, working cranes and earthmovers..."
Answer:
Notes:
1. Paradox examples:
- Carpet weavers make beautiful carpets but live poorly.
- Construction workers build fancy homes but live in slums.
- Miners dig for gold but stay poor.
2. Construction workers:
- Work hard in heat, cold, or rain.
- Build tall buildings and luxury homes.
- Live in shacks with no comfort.
- Risk their lives daily.
Paragraph:
Construction workers sweat under the blazing sun, lifting heavy beams to build shiny skyscrapers, yet their own lives are far from grand. They work long hours in heat, cold, or rain, risking falls from tall scaffolds to create luxury homes for the rich. Their hands shape towers that touch the sky, but they return to cramped, leaky shacks in slums. They have no savings, no safety, and no dreams of living in the buildings they make. Their kids often go hungry, and school is a distant hope. This paradox is stark: they build comfort for others while living in misery. It shows how society values their work but ignores their struggles, trapping them in poverty.
Lost Spring Extra Questions and Answers
Short Answer Type
Question 1.
What did garbage mean to the children of Seemapuri and to their parents?
Or
In what sense is garbage gold to the ragpickers?
Or
"Garbage to them is gold." Why does the author say so about the ragpickers?
Answer:
For the kids and parents in Seemapuri, garbage is like gold because they can find things to sell for money. It helps them buy food and keep a roof over their heads.
Question 2.
What does Saheb look for in the garbage dumps?
Or
What is Saheb looking for in the garbage dumps? Where is he, and where has he come from?
Answer:
Saheb looks for things he can sell, like money or valuables, in the garbage dumps. He's in Seemapuri, a slum near Delhi, and he came from Bangladesh.
Question 3.
"It is his karam, his destiny." What is Mukesh's family's attitude towards their situation?
Or
How is Mukesh different from the other bangle-makers of Firozabad?
Or
How is Mukesh's attitude to his situation different from that of his family?
Answer:
Mukesh's family believes it's their fate to make bangles and stay poor, as his grandmother says it's their "karam." Mukesh is different because he dreams of being a motor mechanic, wanting to escape this life.
Question 4.
How was Saheb's life at the tea stall?
Or
What job did Saheb take up? Was he happy?
Or
Is Saheb happy working at the tea stall? Explain.
Answer:
Saheb worked at a tea stall doing small tasks, but he wasn't happy. He lost the freedom he had as a ragpicker and felt tied down by the job.
Long Answer Type
Question 1.
Describe the difficulties the bangle makers of Firozabad have to face in their lives.
Or
Describe the circumstances which keep the workers in the bangle industry in poverty.
Answer:
Bangle makers in Firozabad live a tough life. They work near hot furnaces in dark, airless rooms, which hurts their eyes and lungs. Many kids lose their eyesight young. The work is exhausting, and they can't think of other jobs. Middlemen, moneylenders, police, and politicians take their profits, keeping them poor. They live in dirty, crowded slums with broken homes, no windows, and barely enough food. They can't form groups to fight back because they're bullied, so poverty traps them for generations.
Value-Based Questions
Question 1.
Anees Jung in "Lost Spring" highlights the miserable life of street children and bangle makers. Which qualities does she want the children to develop?
Answer:
Anees Jung wants kids like Saheb and Mukesh to be brave and hopeful. She hopes they'll stand up against unfair treatment from middlemen, moneylenders, and officials who keep them poor. She wants them to dream big, like Mukesh, who aims to be a motor mechanic instead of a bangle maker. Jung believes they should have the courage to break free from traditional, low-paying jobs and seek better opportunities. With support, they can develop confidence to fight injustice and improve their lives.
Miscellaneous Questions
Question 1.
Identify the literary device in each example from the text:
- Saheb-e-Alam, which means the lord of the universe, is directly in contrast to what Saheb is in reality.
- Drowned in an air of desolation.
- Seemapuri, a place on the periphery of Delhi yet miles away from it, metaphorically.
- For the children it is wrapped in wonder; for the elders it is a means of survival.
- As her hands move mechanically like the tongs of a machine, I wonder if she knows the sanctity of the bangles she helps make.
- She still has bangles on her wrist, but no light in her eyes.
- Few airplanes fly over Firozabad.
- Web of poverty.
- Scrounging for gold.
- Survival in Seemapuri means rag-picking. Through the years, it has acquired the proportions of a fine art.
- The steel canister seems heavier than the plastic bag he would carry so lightly over his shoulders.
Answer:
- Contrast
- Metaphor
- Contrast
- Contrast
- Simile
- Contrast/Metaphor
- Contrast
- Metaphor
- Hyperbole
- Hyperbole
- Contrast